Blade Runner 2049

Massive Spoiler Alert!

I really did not enjoy Blade Runner 2049. Yes, it is visually stunning, but it’s all style and no substance, it felt like a series of set-pieces, just showing off the special effects rather than telling a meaningful story.

In spite of the stunning visuals, it’s very dull; I saw it last Saturday and wrote a first draft of this post the next day, and I can honestly say that in the intervening week, none of the imagery has ‘haunted’ me in anyway. At three hours including all the trailers, it is physically arduous to sit through.

It is sleazy and gratuitously violent. Yes, the original Blade Runner is also sleazy and violent, and it is set in a dystopian world, but there is a difference between creating a film about a violent and misogynist future and using images of violence and misogyny to titillate the audience; why did I have to watch a scene of a naked women being stabbed in the abdomen by Jared Leto’s character, just to prove how crazy and evil he was?

There is another scene where an AI’s female avatar syncs with a replicant ‘pleasure model’ (a euphemism for a sex slave) to sexually service K, 2049’s blade runner (his identity as a replicant is made clear from the start of the film). If this is moving at all it is only because it is pathetic, the AI is programmed to please its owner, and both replicants are conditioned to not feel emotions; if it is not pathetic it is just more titillation.

The story itself is also disappointing; while the original Blade Runner asks interesting questions about memory and identity and self, Blade Runner 2049 instead goes with cod mysticism, and the questions it raises about the nature of the replicants just show how nonsensical it all is to begin with, enough to spoil the original film as well.

At this point I am going to put this rest of the review under the fold, because I am going to be spoiling a lot of the plot.

Continue reading “Blade Runner 2049”

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