“Writing is always some kind of encounter with another person that lives in your head”

Harkaway says he wrote the novel “like a 3D printer”, swivelling round in his chair to demonstrate how he would add a chunk of narrative to each strand in turn before swinging back over to add the next piece. By spring 2016 he had a first draft and enlisted the help of seven or eight people to make sure it all made sense. But when the queries started coming in, he found his own novel had escaped him.

“It’s the first book where I’ve been totally unable to carry all of it in my head,” he says. “I had to use a whiteboard, I had thousands and thousands of notes in my Evernote folder, I had photographs of the whiteboard. This office, when I was editing it for the final time, looked like one of those terrifying nests that psychopaths make in American cop shows.” In the end, he “had to trust that I knew what I was doing when I put it together”.

Sometimes editors would pick up on something they thought was particularly clever and Harkaway would have to hold up his hand and say it was a consequence of the way he’d written the novel. “Writing is always some kind of encounter with another person that lives in your head, but this …” He shakes his head. “I hadn’t realised the extent to which, if you really crank up the complexity level you start to get responses that feel alive.”

Nick Harkaway interview

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s